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Playwrights Horizons (Tim Sanford, Aesthetic Director; Leslie Marcus, Managing Director) has appear complete casting for the Apple Premiere of A SMALL FIRE, a new comedy by Obie Award champ Adam Bock (The Drunken City at PH, The Receptionist, The Thugs, Swimming in the Shallows). Directed by Trip Cullman (Adam Bock’s The Drunken City at PH and Swimming in the Shallows, added Bachelorette, Some Men, The Aftermost Sunday in June, the accessible Edgewise), the assembly will activate previews Thursday, December 16 at 8PM with an Opening Night set for Thursday, January 6 at 7PM. The bound assurance will comedy through Sunday, January 23 at Playwrights Horizons’ Mainstage Amphitheater (416 West 42nd Street).

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The casting will affection three-time Obie Award and Drama Desk Award champ Reed Birney (Circle Mirror Transformation, The Savannah Disputation at PH, Blasted), Tony Award appointee Celia Keenan-Bolger (Saved at PH, The 25th Annual Putnam County Spelling Bee, Les Misérables), Tony Award champ Michele Pawk (Prayer for My Enemy at PH, Hollywood Arms, Cabaret, Mamma Mia!) and NAACP appointee Victor Williams (Deacon Palmer on “The King of Queens,” Troilus and Cressida for New York Shakespeare Festival).

When a tough-as-nails architect (Ms. Pawk) finds her senses bottomward on the border of her daughter’s (Ms. Keenan-Bolger) wedding, the appulse on her ancestors is annihilation beneath than seismic. A SMALL FIRE is a animal apologue in which abrupt accident leads to an absurd adulation story.

The assembly will affection breathtaking architecture by Loy Arcenas, apparel architecture by Ilona Somogyi, lighting architecture by David Weiner and complete architecture by Robert Kaplowitz. Assembly Date Manager is Lori Ann Zepp.

The achievement agenda for A SMALL FIRE will be Tuesdays at 7PM, Wednesdays through Fridays at 8PM, Saturdays at 2:30 PM & 8PM and Sundays at 2:30 PM & 7:30 PM. Single tickets, $70, may be purchased online via www.TicketCentral.com, by buzz at (212) 279-4200 (Noon-8pm daily), or in being at the Admission Central Box Office, 416 West 42nd Street (between Ninth & Tenth Avenues). There are appropriate added Monday black performances on December 20 and 27 and January 3, all at 7PM, as able-bodied as a appropriate added Wednesday matinee on December 29 at 2:30 PM. A ticketing action created as allotment of Playwrights Horizons’ Arts Access program, LIVEforFIVE makes accessible $5 tickets for the aboriginal examination achievement of anniversary Playwrights Horizons assembly through a action via the company’s website. The LIVEforFIVE action for A SMALL FIRE will be for tickets to the aboriginal examination on Thursday, December 16 at 8 PM. Details for the action are as follows: alpha Wednesday, December 8 at 10 AM, admirers can access the action by bushing out an access anatomy at www.playwrightshorizons.org. Entries will be accustomed until Monday, December 13 at 12 Noon. Winners of the action will be notified via email no afterwards than 3:00 PM on Monday, December 13 with instructions on how to book their $5 tickets. Unclaimed tickets will be offered via email starting at 12 Noon on Tuesday, December 14 on a first-come, first-served basis. One or two tickets may be purchased for $5 each. At atomic 50 tickets will be accessible for Mainstage shows via the lottery.

Reflecting Playwrights Horizons’ advancing charge to authoritative its productions added affordable to adolescent audiences, the amphitheater aggregation will action HOTtix, $20 blitz tickets, accountable to availability, day of achievement only, starting one hour afore showtime to assemblage age-old 30 and under. Proof of age required. One admission per person, per purchase. STUDENT RUSH, $15 blitz tickets, accountable to availability, day of achievement only, starting one hour afore blind to full-time alum and undergraduate students. One admission per person, per purchase. Valid apprentice ID required. LIVEforFIVE, HOTtix and STUDENT RUSH are some of Playwrights Horizons’ accepted Arts Access initiatives, which acquiesce the academy to ability out to those who may not be able to allow the amount of a full-price amphitheater ticket. This affairs is supported, in part, by the New York City Department of Cultural Affairs, The McGraw-Hill Companies and the Elroy and Terry Krumholz Foundation. A appropriate accessible captioned achievement of A SMALL FIRE for admirers who are deafened and adamantine of audition will be captivated on the Saturday, January 8 matinee at 2:30 PM. Funding for this affairs is provided, in part, by the Theodore H. Barth Foundation and the Theatre Development Fund’s TAP Added affairs in cooperation with the New York State Council on the Arts.

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How to adjustment tickets for the accessible captioned performance:

? Online: log on to www.playwrightshorizons.org

? Phone: alarm Admission Central at (212) 279-4200 (Noon-8pm daily) via Relay Service (800) 421-1220

? TTY: alarm Admission Central at (212) 279-4200 (noon-8pm daily) via Relay Service (800) 662-1220

? By fax: a printable adjustment anatomy may be begin online at ww.playwrightshorizons.org/tickets.html In addition, appropriate Post-Performance Discussions with associates of the aesthetic aggregation will booty abode anon afterwards the afterward three performances: Sunday matinee, December 19 at 2:30 PM, Thursday evening, December 23 at 8PM and Wednesday evening, December 29 at 8PM. On Tuesday, December 7 at 7PM, Center Speakers in accord with Playwrights Horizons will present A SMALL FIRE author Adam Bock, administrator Trip Cullman and arch adult Michele Pawk in chat with Adam Greenfield (Director of New Comedy Development at Playwrights Horizons) at The Lesbian, Gay, Bisexual & Transgender Community Center (208 West 13th Street). Tickets are $15. To assets tickets, appointment www.gaycenter.org or alarm (212) 620-7310. Playwrights Horizons’ division productions are abundantly accurate by The Harold and Mimi Steinberg Charitable Trust.

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Playwrights Horizons is accurate in allotment by accessible funds from the National Endowment for the Arts, the New York State Council on the Arts, the New York City Department of Cultural Affairs, the New

York State Assembly and the New York State Senate. In addition, Playwrights Horizons receives above abutment from the Andrew W. Mellon Foundation, The Shubert Foundation, Time Warner Inc., the Charina Endowment Fund and the Peter Jay Sharp Foundation.

For cable and admission advice to all Playwrights Horizons productions, alarm Admission Central at (212) 279-4200, Noon to 8 pm daily, or acquirement online at the Playwrights Horizons website at www.playwrightshorizons.org.

BIOGRAPHIES Adam Bock’s (Playwright) The Drunken City was produced at Playwrights Horizons in 2008. His comedy The Receptionist accustomed its Apple Premiere at Manhattan Theatre Club in the abatement of 2007 to a sold-out continued run. The comedy has had abounding banal and abecedarian productions about the country, including aftermost fall, starring Megan Mullally at The Odyssey Theatre in LA. His added works accommodate The Thugs (Obie Award), Swimming in the Shallows (3 BATCC Awards, Clauder Award), Five Flights (Glickman Award), The Typographer’s Dream, The Shaker Chair and Three Guys and a Brenda (Heideman Award). His plays accept been commissioned, developed and produced in NYC by MTC, Playwrights Horizons, Second Stage, Soho Rep, Primary Stages, The Vineyard, Rattlestick, Clubbed Thumb, and regionally at Yale, Trinity Rep, the O’Neill, the Humana Festival, UCross/Sundance, in San Francisco, LA, Seattle, Salt Lake, Montreal, Toronto, London, and Edinburgh, amid others. He is the citizen author at Encore Theater, a Shotgun Players aesthetic associate, and a New Dramatists affiliate playwright. He is currently autograph a cine for Scott Rudin/Miramax.

Trip Cullman (Director) ahead directed Adam Bock’s The Drunken City and Sarah Schulman’s Manic Flight Reaction at Playwrights Horizons. Added New York credits accommodate Adam Bock’s Swimming in the Shallows, Leslye Headland’s Bachelorette and Terrence McNally’s Some Men (Second Stage); Lloyd Suh’s American Hwangap, Robert Farquhar’s Bad Jazz, Roland Schimmelpfennig’s Arabian Night and Brooke Berman’s Smashing (The Comedy Company); Gina Gionfriddo’s US Drag (stageFARM); Bert V. Royal’s Dog Sees God (The Century Center); Roberto Aguirre-Sacasa’s Dark Matters (Rattlestick Theater); Jonathan Tolin’s The Aftermost Sunday in June (Century Center and Rattlestick Theater); Glen Berger’s The Wooden Breeks (MCC Theater); Paul Weitz’s Roulette (EST); Rinne Groff’s Of a White Christmas (Clubbed Thumb); Gary Sunshine’s Sweetness and Brooke Berman’s Sam and Lucy (both at Summer Comedy Festival ’04) and The Wau Wau Sisters (Ars Nova). Regional credits accommodate the Apple Premiere of Lloyd Suh’s American Hwangap (Magic Theatre), Six Degrees of Separation (Old Globe) the Apple Premiere of Richard Greenberg’s The Injured Party at South Coast Rep, Keith Huff’s A Steady Rain and The Petersons Project (both at New York Date and Film), Lauren Weedman’s Rash (The Empty Space, Seattle), John Guare’s Six Degrees of Separation (The Old Globe, San Diego). Training: Yale School of Drama. He’s currently in call for the accessible Edgewise, a co-production with The Comedy Aggregation and PS 73.

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Reed Birney (John) won a 2006 Obie Award for Sustained Excellence in Performance. He fabricated his New York admission at Playwrights Horizons in 1976 in Gemini. He’s additionally appeared there in Herself As Lust (1982), An Imaginary Life (1994), The Butterfly Collection (2000), Pen (2006), The Savannah Disputation (2009) and aftermost season’s Circle Mirror Transformation (Obie, Drama Desk awards). Added New York appearances accommodate Tigers Be Still (Roundabout), Blasted (Soho Rep); Stuff Happens (The Public, Drama Desk Award for Outstanding Ensemble); Our Arch Adult (MTC); Bug (Barrow Street); Loose Knit, The Ancestors of Mann (Second Stage); The Common Pursuit (Promenade); Volunteer Man (Rattlestick); Bedfellows (Bat Theatre); and Minor Demons, The Exact Center of the Universe (Century Center). Regional includes The Lisbon Traviata (Seattle Rep) and the apple premiere of Neil Simon’s Hotel Suite (Walnut Street). TV assignment includes episodes of “Gossip Girl,” “Kings” and “My Generation.”

Celia Keenan-Bolger (Jenny) aftermost appeared at Playwrights Horizons creating the role of Mary in the agreeable Saved. She becoming a 2005 Tony Award choice for her achievement as Olive Ostrovsky in The 25th Annual Putnam County Spelling Bee, as able-bodied as acceptable Drama Desk and Theatre Apple awards. Additionally on Broadway, she played the role of Eponine in the Broadway awakening of Les Misérables, for which she becoming a Drama Desk nomination. Off-Broadway: Juno (Encores!); Bachelorette (directed by Mr. Cullman) and Michael John LaChiusa’s Little Fish (Second Stage); Kindertransport (MTC); Summer of ’42 (Variety Arts). Regional credits accommodate Joanna in Sweeney Todd (Kennedy Center Sondheim Celebration), Emily in Our Town (Intiman Theatre) and Clara in The Light in the Piazza (Goodman Theatre). She is a alum of the University of Michigan Agreeable Theatre Department.

Michele Pawk (Emily) ahead appeared at Playwrights Horizons in Craig Lucas’ Prayer for My Enemy. She won a Tony Award as Best Featured Actress in a Comedy for her achievement in Hollywood Arms, directed by Harold Prince. Her added Broadway credits accommodate Cabaret (revival, Drama Desk, Outer Critics Circle nominations), Crazy for You (Drama Desk nomination) Mamma Mia!, Hairspray, Chicago (revival), Seussical, Triumph of Love, Losing Louie and Mail. Off-Broadway: The Paris Letter (Drama Desk nomination), Mahida’s Extra Key to Heaven, Flyovers, The Dark at the Top of the Stairs, Reefer Madness, Afterwards the Fair, Hello Again, Merrily We Roll Along, john & jen, A Little Night Music (NYC and L.A. Operas). Blur and television assignment includes Cradle Will Rock, Jeffrey, all three “Law & order” series, “Guiding Light,””All My Children,” “The Golden Girls” and “LA Law.” Victor Williams (Billy) becoming an NAACP choice for Best Supporting Actor in a Comedy for his long-running role as Deacon Palmer on the CBS ball “The King of Queens.” He’s appeared on the New York date in MarK Wing-Davey’s assembly of Troilus and Cressida at New York Shakespeare Festival as able-bodied as the LAByrinth assembly of Philip Roth in Khartoum. Regional Amphitheater assignment includes the appellation role in Othello for Shakespeare on the Sound. His added TV and Blur credits accommodate “Fringe,” “Flight of the Conchords” (Officer West), “ER” (Roger McGrath), “The Practice,” “The Jamie Foxx Show,” “Law & Order,” Cop Land, Bewitched, The Preacher’s Wife, A Brooklyn State of Mind and the activated blur Animatrix.

Playwrights Horizons, adulatory its 40th Anniversary Season, is a writer’s amphitheater committed to the abutment and development of abreast American Playwrights, composers and lyricists and to the assembly of their new work. Beneath the administration of aesthetic administrator Tim Sanford and managing administrator Leslie Marcus, the amphitheater aggregation continues to animate the new assignment of adept writers while adorning an arising bearing of amphitheater artists. In its 40 years, Playwrights Horizons has presented the assignment of added than 375 writers and has accustomed abundant awards and honors, including a appropriate 2008 Drama Desk Award for “ongoing abutment to ancestors of amphitheater artists and undiminished charge to bearing new work.” Notable productions accommodate four Pulitzer Prize winners: Doug Wright’s I Am My Own Wife (2004 Tony Award, Best Play), Wendy Wasserstein’s The Heidi Chronicles (1989 Tony Award, Best Play), Alfred Uhry’s Driving Miss Daisy and Stephen Sondheim and James Lapine’s Sunday in the Park with George, as able-bodied as the accepted Edward Albee’s Me, Myself & I, Annie Baker’s Circle Mirror Transformation (three 2010 Obie Awards including Best New American Play), Edward Albee’s Me, Myself & I, Bruce Norris’ Clybourne Park, Melissa James Gibson’s This (2010 Susan Smith Blackburn Prize finalist), Doug Wright, Scott Frankel and Michael Korie’s Grey Gardens (three 2007 Tony Awards), Craig Lucas’s Prayer For My Enemy and Small Tragedy (2004 Obie Award, Best American Play), Adam Rapp’s Kindness, Stephen Sondheim and John Weidman’s Assassins, Sarah Ruhl’s Dead Man’s Cell Phone, Bruce Norris’s The Pain and the Itch, Lynn Nottage’s Fabulation (2005 Obie Award for Playwriting), Kenneth Lonergan’s Lobby Hero, David Greenspan’s She Stoops to Comedy (2003 Obie Award), Kirsten Childs’s The Bubbly Black Girl Sheds Her Chameleon Skin (2000 Obie Award), Richard Nelson and Shaun Davey’s James Joyce’s The Dead, William Finn’s March of the Falsettos and Falsettoland, Christopher Durang’s Betty’s Summer Vacation and Sister Mary Ignatius Explains It All For You, Richard Nelson’s Goodnight Children Everywhere and Franny’s Way, Lynn Ahrens and Stephen Flaherty’s Once on This Island, Jon Robin Baitz’s The Substance of Fire, Scott McPherson’s Marvin’s Room, A.R. Gurney’s Afterwards Life, Adam Guettel and Tina Landau’s Floyd Collins and Jeanine Tesori and Brian Crawley’s Violet.

Photo Credit: Walter McBride/WM Photos

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